19.4.12

The Immortal Twin

What an interesting experience. Such a revealing challenge.

Alone in the narrative structuring of a project that spans decades of time, telling the stories of Canada's aviation legends was a steep cliff to scale. My devotion to the client added a high standard to what I wanted to produce.

It's actually been years since I've completed a film, and the emotional journey is intricate.

Yet, on the home stretch, so many heros rise to the occasion that it's difficult to adequately express my gratitude.

Andrew Oye eagerly awaited each rough edit as I spilled pieces of it off to him. He instantly produced a quantity of music with great enthusiasm. Specific and inspired, he wanted it to fit into the film according to my vision and then he took it one step further. A small amount of input from me was quickly and expertly incorporated into what has become a thrilling film score.

I didn't leave much time for a sound mix and the online edit. We really only finished filming a couple of weeks ago and I lost 4 days to delays in the approval process and a couple more that it took to recover from that. Then it's hard to let it go when every extra hour at this stage results in massive improvements.

I really only gave Earworm Sound as much time to do the mix as it would take to upload and download the files. Other than a few well placed emoticons in skype, he hardly complained. Like Andrew, he worked through the night and all of the next day to pull something together that he could feel good about. An 80 minute film is a load of sound.

Since this was originally a 20 minute film, our original quote can only afford this much work from Matt anyways, but hopefully we'll get to revisit the film after it's screening today at the operators conference at Viking Air. It would be exciting to see what Matt could do with 2 weeks of sound designing.

I'm editing in exile (for non-professional reasons) from the studio where the film is completed and so I managed to do absolutely everything that was possible for me to do remotely so as not to lay too much onto the online edit. Yet, on the homestretch most of our time is spent uploading and downloading files. There simply wasn't enough time to render it out. Unless someone worked all night long.

Here we add Jeremy Klassen to the list of amazing night owls who contributed to this film while watching the sun rise. Last night he and David watched it at Gamut Productions, and became the only two people in the world who have seen the film with all of it's pieces together. I usually feel like Jeremy is uninspired by the projects I helm, partly because his role in them consists of uncreative aspects required due to my exile. Indeed it is beneath him to be doing my lower third titles, he should be making the next break-out indie film.

He spent the night watching the download bar, the render bar, the progress bar. Not very glamorous. But if he hadn't done that, we wouldn't have delivered.

How do I appreciate these people properly? How can I ever even begin to?

A week ago I felt as though I was making this project by myself. This morning I look around and am truly amazed at the team of talent that is forming around me. The feeling of working with someone, and enjoying it, is unlike any other.

I'm going to ask approval to post a scene from the film here. Otherwise it will only be available on DVD from Viking Air. It should be interesting to see what they do in sales.

12.4.12

Spring Fever

Our Kickstarter campaign for Oceangybe was immensely successful, meeting our target with 10 days left to spare. Very cool. It helps to have a story about subjects who have lots of friends. The edit is barrelling along without me, and my role supporting story structure is a lovely one to bear. I don't envy how much footage those boys are sorting through. Our screening next month will be quite an experience seeing all of those years assembled into less than two hours.



Meanwhile I am on the front line solving the riddle that is the five year project about the launch of the Twin Otter program by our friends at Viking Air. An extension of The Immortal Beaver this film has high expectations. The relaunch of the Twin Otter bushplane spans several years, cost millions of dollars (billions?) and the niche audience we are producing this for are beyond passionate; exemplified beautifully by their response to our last film.

The footage transports me to that time in my life and the emotional journey of the edit has been a thrilling one to conquer and overcome. Somehow, after days and days committed to the footage, it has assembled into a cohesive story. A story that I can feel in my loins in the way we all desire from the things we create. This is the stage where you can see the potential of the polish.

I send it off into the silence for input. I wait. The calendar clicks past. The screening approaches. The polishing beckons me. No feedback.

A younger me would be falling apart right now. My thoughts let loose on all of the possibilities of why I am alone on this one. I would be angry. I am angry. But it isn't paralyzing me. Instead the possibility of carrying it alone is a challenge I can encourage myself to accept.

I can accept it because we are all alone anyways. The input we are blessed with in this creative process is precious, but at the end of the day we are alone in all of our collaborations. Our team members are also alone. It is only our own tactics and approach that we truly have control over.

I've accepted that working until 6am is my process, not my penalty. The years that this ages me will be worn on my face as the accomplishment of wrinkles take form. Whether I had help or not those wrinkles will be mine, and they will be there because I care enough about it. I will wear them with pride, instead of caring less.

I think back to completion of other projects and remember the support I had. I crumbled under the pressure at that time, and conducted myself unimpressively. Those became great films, in my own mind at least. Was it despite the emotional collapse or because of it? Was it because of the commitment I enjoyed from my partner? Was it because all that was required for brainstorming was provided over dinner? This project will be revealing in a way I didn't expect. It's showing me my way forward from paralysis amidst the consequences of my past decisions.

What I continue to be able to return to is outlook. Keep it positive, kind and compassionate. The rest will sort itself out.

Meanwhile, back at the ranch...

I'm pressing a travel series out the door. More on that later...