Showing posts with label OceanGybe. Show all posts
Showing posts with label OceanGybe. Show all posts

12.4.12

Spring Fever

Our Kickstarter campaign for Oceangybe was immensely successful, meeting our target with 10 days left to spare. Very cool. It helps to have a story about subjects who have lots of friends. The edit is barrelling along without me, and my role supporting story structure is a lovely one to bear. I don't envy how much footage those boys are sorting through. Our screening next month will be quite an experience seeing all of those years assembled into less than two hours.



Meanwhile I am on the front line solving the riddle that is the five year project about the launch of the Twin Otter program by our friends at Viking Air. An extension of The Immortal Beaver this film has high expectations. The relaunch of the Twin Otter bushplane spans several years, cost millions of dollars (billions?) and the niche audience we are producing this for are beyond passionate; exemplified beautifully by their response to our last film.

The footage transports me to that time in my life and the emotional journey of the edit has been a thrilling one to conquer and overcome. Somehow, after days and days committed to the footage, it has assembled into a cohesive story. A story that I can feel in my loins in the way we all desire from the things we create. This is the stage where you can see the potential of the polish.

I send it off into the silence for input. I wait. The calendar clicks past. The screening approaches. The polishing beckons me. No feedback.

A younger me would be falling apart right now. My thoughts let loose on all of the possibilities of why I am alone on this one. I would be angry. I am angry. But it isn't paralyzing me. Instead the possibility of carrying it alone is a challenge I can encourage myself to accept.

I can accept it because we are all alone anyways. The input we are blessed with in this creative process is precious, but at the end of the day we are alone in all of our collaborations. Our team members are also alone. It is only our own tactics and approach that we truly have control over.

I've accepted that working until 6am is my process, not my penalty. The years that this ages me will be worn on my face as the accomplishment of wrinkles take form. Whether I had help or not those wrinkles will be mine, and they will be there because I care enough about it. I will wear them with pride, instead of caring less.

I think back to completion of other projects and remember the support I had. I crumbled under the pressure at that time, and conducted myself unimpressively. Those became great films, in my own mind at least. Was it despite the emotional collapse or because of it? Was it because of the commitment I enjoyed from my partner? Was it because all that was required for brainstorming was provided over dinner? This project will be revealing in a way I didn't expect. It's showing me my way forward from paralysis amidst the consequences of my past decisions.

What I continue to be able to return to is outlook. Keep it positive, kind and compassionate. The rest will sort itself out.

Meanwhile, back at the ranch...

I'm pressing a travel series out the door. More on that later...



13.3.12

Tide Lines


Oceangybe is an initiative that came my way shortly after completing The Immortal Beaver and after meeting Andrew Naysmith who said simply, “I have some friends who are adventurers” or something to that extent (it was many years ago now so forgive my memory)
I got excited about this project because at the time there wasn’t much being said about the Pacific Gyre, and environmental films in general are usually not very exciting. These guys infuse a youthful exuberance into a global topic that would otherwise be quite depressing and seem somewhat hopeless.
Bringing this project to television markets I was met with a similar perspective as the guys received when trying to finance the trip itself: people don’t have much faith in young people’s ability to actually pull something like this off. The television industry itself it also quite ill, and taking this kind of risk is a huge liability for the old guard that is facing bankruptcy on all fronts.
That didn’t discourage us, and I set forth to invest the money I was making on other projects to ensure that production could continue in a better capacity than they guys had been able to accomplish on their own. We hired a Kiwi cameraman to cover their departure from New Zealand, and invested a large amount into hardware such as hard drive storage for the hundreds of hours of footage being collected from documenting the trash on beaches all around the world.
On several occasions logic tried to convince me that I should move on and abandon what could be seen as an idealistic endeavor. It’s hard not to realize how small a drop in the bucket any initiative on this topic is, especially when held up next to highly funded, corporately sponsored projects in a similar tone that have since popped up all over the world. In the end though, what that points more to is the dire need for every effort to be seen through to fruition. Drop by drop, eventually we start to fill that bucket.
David and I proceeded to invest even more time and money as the adventure neared home. We drove to San Diego to cover the journey’s American chapter. I flew myself to Maui and sailed for 3 weeks to film the final leg across the great Pacific Ocean and the arrival home, to Canada. >Here’s my guest blog from the trip<

Then the real work began. Hundreds of hours of material now make up the Oceangybe film, and tackling the edit is a daunting task indeed. Andrew and I continue to contribute labour and time to move the project forward, but in light of paying projects, Oceangybe has always risked being forgotten on the back burner.
In revisiting the material we have, it’s hard not to be inspired by the potential of a project that approaches this complex issue in such an entertaining light. The characters involved are funny, passionate, and determined. This project is not going to let us forget it. It’s demanding to be made.
The worst part of filmmaking is asking for money. It is not something I have been very good at. Now we are faced with this crowd funding initiative which is doing surprisingly well. However, when I look at the list of backers I realize I don’t know any of them. My inside voice wants to scream “Not even $10 for a copy of the film?” but I know that isn’t effective in getting people onside. I can only hope that eventually the project will rise above the multitude of similar requests that flood our online lives. I can only hope that the 10 minutes of time required may materialize in my friends lives and we can hit the home stretch with this project - so close and yet so far.

13.7.10

3 Weeks at Sea Filming Plastic


And so 2 years after we started working with the guys from www.oceangybe.com they are ready to set sail for home: Vancouver Canada. I will be joining the crew next week for the departure from Maui and an anticipated 19 days at sea.

As a filmmaker this poses an interesting challenge. Being away from land takes away all of the usual fall backs if equipment were to fail, or something was forgotten in the load. The anticipated wear from the wind and salt is nerve wracking. The pressure to pull it off after dedicating so much time to the entire fiasco is actually the most exciting part.

I've sailed the tame waters of the Salish Sea. We've even ventured out to the Pacific and spent some time in the Broken Group. I'm sure even the snottiest day on the Georgia Straight doesn't compare to what I am about to endure. I will be using all the magic energy I can muster to request fair weather sailing as much as possible, but I am also ready to grin and bear the worst of it. Must be the East Van in me.

Once SV Khululah reaches Winter Harbour on Vancouver Island it will travel the West Coast surf spots to Victoria, and then head over for the epic homecomming event in Vancouver that is currently in the works. There will be plenty of opportunities for organizations to get involved in spreading the message about the ocean plastics issues, and initiatives for the public to get involved in caring about creating another way through beach cleanups and benefit concerts.

Stay tuned by following @oceangybe on Twitter, joining the Facebook group, and visiting the website regularly. We are about to launch a new site and have produced the first couple episodes of the web series being produced of the entire expedition, leading up to the documentary Broadcast.

We'd love to hear about collaboration ideas. Please get in touch via www.oceangybe.com